Concerts!
These are all the concerts I've ever been to in my entire life (that I've paid for). Click on a ticket stub for a set list. I compiled the set lists myself from memory or by taking notes unless otherwise noted.
Santana is one of those living legend bands, especially the rock and guitar icon himself, Carlos Santana. They played only songs from the last two guest-artist-packed albums, Supernatural and Shaman, plus two classic songs, Jingo and Samba Pa Ti, and one unreleased song, Supernatural Thing. Angelique Kidjo opened for Santana, and wrote and performed Adouma (featured in Shaman) with Santana. And in the middle of the show, the mayor of Hartford declared the day Carlos Santana Day. This was Timmy's first real live concert, and what a show for his first one. We went with two other families from Timmy's daycare, one of which invited us to go since we like Santana and tickets were $10 that day. The concert was still worth more than the real ticket price. |
U2 rocks again, with the Vertigo Tour in support of their latest album, How to Dismantle an Atomic Bomb. Kings of Leon opened for them, but we came in the middle of their show. U2 started at 9:00 with a rockin' Love and Peace or Else, the song that I had in my head the most the days before the concert, probably my favorite song on the album. Pairing the songs with activism for social issues really makes the songs more meaningful. Bono dedicated the song "Miracle Drug" to Pope John Paul II, who passed away earlier the same day. They displayed the UN Declaration of Human Rights to cheers by the audience. They promoted the ONE organization to help end poverty. Overall, it was a rockin' and spiritually uplifting concert, as usual with U2. |
Moby rocks and raves! Not only does Moby write his own songs, he plays them too, on guitar, bass, congas, and bongos. He also does good covers, and he has a great supporting band for concerts. In particular, Laura Dawn from MoveOn does the backing vocals and some lead vocals for the Hotel album, and she joined Moby on this tour. Moby played a good mix of new and old, with songs from the new album making a good chunk of the set. There were also a lot of Play songs and a few from 18. The classics he played were Go and Next Is the E. All the techno/disco songs he did were excellent, with such energy. And he proves he knows how to rock. And to see Moby and Laura Dawn in person (from 10 feet from the stage!) was awesome. Buck 65 opened for Moby. He's a DJ/vocalist/rapper who does his own scratching, with a backing vocal for the concert. Very entertaining. |
dM always rocks, especially in San Diego (and So. Cal in general with its great, dedicated fan base), according to Kim (who saw an Exciter Tour show in DC with a just a lukewarm crowd). Kim joined me and the usual suspects (Ben, Bob, Natalie, Carl) as with last time, except that Ben wasn't there for the Singles tour, and Joanne and Susan also joined us this time. Pretty much the same set list between concerts on this tour, except that, according to Tita Fabbee, who went to two LA shows, her second show had "A Question of Lust" replacing "Somebody" (not a bad substitution). Also according to her (from an LA Times article), the new album's sales were double in So. Cal compared to its next market. No surprise, Playing the Angel is a good album, and Touring the Angel was a good show, typical high-energy fun from frontman Dave (shakin' it and showin' it off) and Mart (guitar riffs and sensitive vocals), the continuing tradition of live drums and a hi-tech-looking stage setup. The Raveonettes opened, good house-music band with possible New Order influences and two female leads. |
Shows!
Below are the ticket stubs for all of the musical shows I ever watched.
Even after its long running for years, Andrew Lloyd Webber's The Phantom of the Opera finally came to San Francisco, at the Curran Theatre, and delivered its promised excellent show. But I shouldn't need to tell you, everyone knows what Phantom's about. If you don't, well it's kind of a retelling of Beauty and the Beast, with the story centered on an opera house where the Phantom resides, and his soul, and the people who perform there. A different version than the original Phantom story, with more emphasis on the emotion and the music than the humor. Great show! |
Disney's play version of Beauty and the Beast has to be the most enjoyable musical I've been to; it's already my favorite animated film of all time, even to this day. The sets and costumes are very well done, as are the special effects. The only real story differences between this and the film are the absence of Philippe (Maurice's horse) and the mobility of Maurice's invention; he rides this toward the fair instead of the horse. Other set differences have to do with what you can physically do on stage and what you can draw on animation cels. The extra length (compared to the film) is due not just to intermission but to added dance scenes and new songs, all of which are very charming and nicely done. I highly recommend this to anyone who liked the film; hopefully it will still be around somewhere. It was a hot day, and the Shubert Theatre here in LA was air conditioned. It was chilly, though, but that didn't detract from the wonderful and inspiring show. |
BeauSoleil isn't actually a show besides the music aspect; it's a band from Louisiana that's been around for 20 years playing Cajun music. But this concert was held at the California Center for the Arts in Escondido, CA, their first time here. I didn't know what Cajun music was like until I came here. I was pleasantly surprised. It sounded a little like country with French lyrics, but had an added twist with definite Louisiana jazz influence in it that I liked. The frontman Michael Doucet has to be the best fiddler I've ever heard. I don't think anyone can top him today. Given how long they played, about 2 1/2 hours, and the virtuosity of the players, and also the price of the tickets, it was a nice surprise of a concert. |
Stomp is another show that's really a music group, but they play more of shows than concerts. They're a percussion group that uses ordinary items to make their beats, such as barrels, playing cards, tables, and car parts. The show has a set related to the music, and even directly involed with the music. They show that music can be made anywhere, and I believe music exists in nature if we just listen to it. This show is a good time for all ages and cultures. |
The Forbidden Broadway series (Forbidden Broadway, Forbidden Broadway Strikes Back, and Forbidden Broadway Cleans Up Its Act) is satire of musical theatre on, well, Broadway. This particular show parodied Miss Saigon, Les Miserables, Cabaret, and The Lion King among others. My favorite parodies were the turntable of Les Mis and the octave for "Bring Him Home", the toy helicopter and kazoo-sax for Miss Saigon, and the over-the-top costumes for The Lion King. Most of it wouldn't make sense without seeing the original shows, though, but it's still a good time. |
Fosse is a revue of musical dance numbers choreographed by the late, great Bob Fosse (1927-1987). It went through numbers in Chicago, Sweet Charity, Pippin, Big Deal, The Pajama Game, Damn Yankees, and various televised performances, ending with an extended version of Benny Goodman's "Sing! Sing! Sing!" This show won the 1999 Tony Award for Best Musical. |
Star Trek: The Experience is an ongoing attraction at Las Vegas Hilton. It's more than just the ride, similar to Star Tours but with riders standing up. It involves a cast walking around just like extras on the set of one of the TV shows and features props and a really, really long timeline from (real) history to the present, and through to the "history" of events in the entire Star Trek universe from before the original series to beyond all of the movies and recent TV shows. Highly recommend for Trekkies like myself as well as "Trekkers" like my sister who don't want to be called Trekkies. |
Disney's The Lion King is beautifully adapted to the stage, a bit like their Beauty and the Beast adaptation, but with a different musical style. More score and African melodies and beats dress the story well. Some of the new songs come from the album, Rhythm of the Pride Lands, which sets the film score to words and includes some great new songs like He Lives in You, used in the play. |
Man of La Mancha is a musical retelling of the Don Quixote story. I didn't know much about it before I saw the show, but I was pleasantly surprised. This show featured Brian Stokes Mitchell as Don Quixote, Mary Elizabeth Mastrantonio as "Dulcinea", and Ernie Sabella as Sancho. |
Thoroughly Modern Millie is a musical retelling of the film of the same name. I saw it with the original lead, Sutton Foster, who plays Millie, a girl from the country who arrives in New York in the 1920's to accomplish her dreams. Typical country-to-city migration story, but with added themes of feminism and our immigrant heritage. |
Mamma Mia! is a fun show with a wedding story and its backstory set to the music of ABBA. It's set on a Greek Island in present time with a single mother, Donna, whose 20-year-old daughter, Sophie, is getting married. Sophie wants her dad to walk her down the aisle, but she doesn't know who he is, so she invites the three possibilities, according to Donna's diary. Many ABBA songs already have a feeling of being from a musical (especially "I Have a Dream," "The Winner Takes It All," and "Thank You for the Music"), so it all fits together. There were three encore songs, "Mamma Mia!" (reprise), "Dancing Queen" (reprise), and "Waterloo." |